What is it?
All instruments in the Reason Electric Basses ReFill were recorded using multiple microphones and dedicated bass amp setups, giving you full control of your overall bass sound. Based on note for note Hypersampling, these basses come complete with bends, glissandos and fret noises, making them very responsive, and very much alive.
With a vast selection of instrument, mic and amplifier combinations to choose from, you can rest assured that the bass sound you are looking for can be found here.
Featured instruments
Fender Jazz Bass (1968)
String type: roundwound. Playing style: fingered.
Fender Precision Bass (1965)
String type: flats. Playing style: fingered.
Gibson Les Paul (1969)
String type: vintage roundwound. Playing style: fingered.
Rickenbacker 4001 (1974)
String type: roundwound. Playing style: Picked.
Gibson EB-0 (1970)
String type: roundwound. Playing style: fingered.
Kay Hollowbody (1963)
String type: flats. Playing style: Picked.
MusicMan Stingray Fretless (2001)
String type: flats, 5-string. Playing style: fingered
Fender Precision Bass (1978)
String type: roundwound. Playing style: picked.
Preset patches:
These are the basic, instrument specific Combinator patches for various mic/amp combinations.
Producer patches:
Producer-made, mix-ready bass sounds.
Style patches:
Ready-made patches styled for different types of music:
- Pop
- Rock
- Funk/Disco
- Reggae
- Electronic
- Hip hop/RnB
Template patches:
Empty, pre-routed patches for building advanced bass/amp/mic combos. Using these as a starting point, you can build your own sounds using every thinkable (and most likely some unthinkable too) combination of instrument, microphones and amplification.
Effect patches:
Stomp box type bass effects that make full use of Reason's effects and routing powers. Most of the effect patches make use of Reason's combinator device to give you a complex set of effects and routings by loading a single patch.
1 DVD
Tidak ada komentar:
Posting Komentar